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A spinoff of another local outfit, the equally as enticing Pure Joy (who I dedicated some quality cyberspace to last year), Flop were helmed by one Rusty Willoughby, the focal point and lone carry over from that group. Flop's Kurt Bloch produced debut, Flop and the Fall of the Mopsqueezer arrived on Frontier Records in 1992. While all eyes at the time were glazed on the Pacific Northwest for the next wave of grunge superstars to emerge, Willoughby and Co. were inclined to follow the sonic template laid out by the Buzzcocks, not Black Sabbath and Blue Cheer. Mopsqueezer lent Flop to a far wider audience that anything Pure Joy released, but overall their national reputation was slight at best, despite their next album, 1993's Whenever You're Ready being taken under the wing of Sony Records. The majors leagues had little to offer them, and they were pitched back to Frontier for their third and final LP, World of Today in 1995 to little fanfare. Willoughby's wry, enlightened wit set Flop well outside the punk-pop pack of Green Day and the like, but much like hometown mates the Fastbacks and Young Fresh Fellows, the band failed to make mainstream inroads.
The Losing End 7" ep (1990, Lucky Records)
01. The Losing End
02. Somehow
03. Dissipate
04. Fucking Thing
We Are You 7" ep (1992, Munster)
05. I Told a Lie
06. Hello
07. Anne
08. Tomato Paste
09. Doll
Drugs/Action 7" (1991, Dasboard Hula Girl)
10. Drugs
11. Action (The Sweet)
Scene 1, Act 1 7" (1995, Super Electro)
12. Scene 1, Act 1
13. I Am a Potato (Devo)
14. The Place I Love (The Jam)
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